Contact us for a Demo or Free
"the Prodigal is the new 'Australian army knife' of
the audio world"
"makes everything sound better than it should"
-David Nicholas (Pulp, INXS,
"a must-have for engineers who take their work seriously"
-Lachlan Mitchell (Swoop, Motor
Developed in collaboration with
Australian multi-award winning Producer/Engineer David Nicholas (US
#1s with Pulp, INXS, Elton John, Bryan Adams)
the Prodigal Dual Channel Strip & Monitor Station is a world class
analog strip for use in pro studio, location, or home recording
- solid state analog recording chain
- discrete class A mic, line and instrument pre
- transformerless for
tight and linear bottom end
- zero latency monitoring
- stereo/mono switchable
- for small and large studio use
- for tracking, mixing and mastering
- EQ, bandwidth, "mud" and "air" filters
- FET de-esser
- FET compressor/limiter
- simultaneous peak dot and VU bar metering
- gain-reduction metering
- powerful headphone amplifier
- 2 x studio monitor outputs
- 2 x playback inputs for DAW, tape, CD, etc
- playback input for smart-phone
- talk back via smart-phone mic into input 3
- 3 rack unit enclosure
- international power supply
- hand-made in Australia
Prodigal Dual Channel Strip
is a professional solid state analog audio input
chain. It can be used in stereo, or dual mono, with both
channels configured independently. Each channel consists of a
bandwidth adjustable discrete transistor preamplifier,
equalization, FET de-esser and FET compressor/limiter, with
simultaneous peak and VU metering of input and output, as
well as selectable gain reduction metering for the de-esser or
compressor. The unit also features a fully independent monitor station
and powerful headphone amplifier.
With dual channel processing and a built-in
monitoring system, the Prodigal is versatile and portable,
needing only the addition of a laptop computer, ADC, and some
powered speakers to function as the hub of a compact, premium
quality, professional recording setup.
Class A mic/line/instrument preamplifier is a low current, low noise discrete transistor design,
using hand-matched components. It accepts mic and line signals via the main rear XLR inputs, or high impedance
instruments and additional line level devices via the front
panel TRS jack inputs. Includes phase reversal and 20dB pad for all inputs, and P48 for microphones. The
20Hz~20kHz bandwidth is sweepable to 200Hz~2kHz, to help
suppress undesired outband audio prior to EQ and dynamics processing.
Equalization section provides a
single band of sweepable cut or boost, a de-mud filter to
attenuate anything muddy and un-musical at 300Hz, and an air
filter to accentuate edges and add spaciousness by boosting
De-esser reduces sibilance in vocals, and high
frequency transients such as pick noise on guitars. It applies
natural sounding FET limiting to all frequencies above a
sweepable crossover point. The Hz control sets that point, and
the ess control sets the amplitude threshold above which
limiting occurs. This threshold level is varied in response to a sample of the full-bandwidth signal,
which helps keep the amount
of de-essing consistent regardless of program volume or
dynamics. When de-essing occurs, the limit LED glows with
proportional intensity. The output meter can be conveniently switched to display de-esser
gain reduction. Left and right channel FETs have been
hand-matched to preserve stereo imaging.
Compressor/limiter transparently reduces peaks in program material. It applies ultra fast FET soft-knee
limiting in sparkling linear phase. The
compress control varies ratio and threshold together
so that more input results in more compression, with peaks
maintained at around -12dBFS. Great for airy vocals, or tight,
level bass tracks, the Prodigal compressor loves to be driven hard. When limiting occurs, the limit LED glows with
proportional intensity. The output meter can be conveniently switched to display compressor
gain reduction. Left and right channel units may be linked, and FETs have been hand-matched to preserve stereo imaging.
LED level meters display input and output levels in
–dB Full Scale. Both meters simultaneously display VU as a solid
bar, with an instantaneous peak level dot riding above. Peak
hold is 3 seconds with a slow decay.
Output meter can be switched to display gain
reduction levels for either the de-essers or the compressors.
Gain reduction is displayed directly as a solid bar and no
additional ballistics have been applied.
Monitor station provides central control of the
listening environment. One of its inputs is fed directly from the Prodigal
Channel Strip mix bus, but apart from that it may be thought of
as an entirely separate device. Its principal function is to mix
local audio at zero latency with playback from your DAW or other
recording device. The resulting mix is then sent to the
headphone output on the front panel, and via the studio
master fader to one or two studio monitor outputs on the rear panel. The second
studio monitor output might be connected to a sub-woofer or
other speakers, an additional headphone amplifier, or used to
send a sub-mix to another recorder. A second playback input has
been provided for other audio sources, such as a CD player or
tape machine. A third mini jack input has been provided on the front
panel for playback from your iGadget. In situations where engineer and
performer are physically isolated, this third input may also be
used as a talk-back input simply by connecting a smart-phone
with a mic-to-speaker app installed.
User Manual (Version 5.1. Includes
Tech Specs, Patch and Cable Guide). 4.6Mb
Tech Specs and Patch. 2.7Mb
Recall Sheet. 0.5Mb
Glossy Brochure. 1Mb
|LISTEN TO PRODIGAL TRACKS:
|AGENTS for FACTORY
DIRECT SALES & DEMOS:
David Nicholas talks to
Dan Booth about the Szikla Prodigal Dual
Channel Strip. (2 minutes) Edit taken from a web interview
courtesy of Soundbooth Tutorials.
Independent Product Review by Dan Booth
of Soundbooth Tutorials.
Dan takes a
of the Szikla Prodigal Dual Channel Strip, discusses the pros and cons,
shows how he integrates it with his DAW, and runs some audio through for a
listen. (25 minutes) Web review by Soundbooth Tutorials.
for MAC and PC
Basic Leads Pack
for connecting between your Prodigal and common IN/OUT devices, such as DAW,
Powered Speakers, Smartphone etc. Contains:
1x STEREO MINI JACK - MINI JACK (1.5M)
2x MXLR - FXLR (3M)
2x 1/4 inch TRS - TRS (2M)
2x 1/4 inch TRS - MXLR (1.5M)
2x 1/4 inch TRS - FXLR (1.5M)
4x 1/4 inch MONO JACK - RCA SOCKET ADAPTER
"I was really
impressed with this unit right from my first look at it. It’s built like a
tank and although packed with features, it’s well laid-out. The
easy-to-understand front panel makes it simple to plug and play. The large
format print, buttons and knobs are a great addition too.
I am amazed by the functionality of the Prodigal: recording, dynamic
processing, equalisation, mixing, serious monitoring. So many great ideas
rolled into one. I like the way this unit does the little things right. It
means the big stuff is usually taken care of (in this case, yes, it is), but
also that there are people who care about quality, usability, and getting
The Prodigal is a must-have for engineers and producers who take their work
seriously and expect high-quality gear. This high quality unit is raising
the bar with operational functions that would humble anything on the market.
An engineer is only as good as their weakest link, with The Prodigal there
is no weak link."
- Lachlan Mitchell
(Swoop, Motor Ace, Jezabels), Sydney
"...You've created a phenomenal piece of gear that has vastly improved my home recording experience.
I have nothing but gratitude and praise for you guys!
...What I like about it most is first and foremost the incredible bang-for-ya-buck you get, in terms of being a premium quality stereo channel-strip with added functions such as de-esser, de-mud, air, yet without the premium you would pay for having a Rupert Neve Designs or API or Universal Audio logo on it. In fact I can't think of a stereo strip or single strip that can marginally compete in terms of value for money. Anything that sounds this good is insanely pricey and anything that is as affordable is several leagues down in terms of sonics.
But equally fantastic is the consideration for practical functions that can
only come from someone like David Nicholas who has comprehensive experience
in the studio and thus an appreciation for the small things that are so helpful. E.g. the fact that I can run all my monitoring through it, the fact that I can switch to mono to check phasing etc, the fact that it is essentially the central hub/brain for my set up.
In general, I don't think I have ever acquired a piece of a gear (excepting perhaps my first laptop!) that has made a bigger difference to the quality of my work. I run virtually everything I can through it and if anything perhaps over-use it because of my trust and faith in it that it will improve the sound of an instrument or group stem. A true game-changer."
Michael Thomas, Michael Thomas Productions, London
amazing Unit. Low male voices sound perfect with the demud and air turned
on. With just the air on, female voices sound pristine. Sounds amazing on
the snare with the air on. U can really hear the air of the snare's chain.
Very musical sounding EQ!
The Hi-Z input on this is a beast. It definitely beefs up guitar and bass!
A+ on that.
The headphone out is just a machine! The level it outputs with such low
noise floor is just stellar! Well thought out addition!
It is the go to hardware to produce a record where all you have is a laptop
and an interface. The ultimate channel strip!!"
- Tony Polimeni,
Sound City Studios, Melbourne
"WOW… The results just sending the program thru
the Prodigal blew us away. The whole stereo field just opened up,
it felt like someone had taken each panned object and added another 120 degrees of width to the signal. The separation between elements was wonderful...
...The compressor however - glue for days!! Blew my G buss right out of the water but we also tried a Gyraf Gyratec
G10 & an Avalon 747 and both just weren't gelling as nice as the Prodigal.
It sounds musical and free of artefacts...even if you slam it."
- Dave Cooper,
Sound Machine Studios, Melbourne
"Wow! This is so
f*** cool! It's all the things I do, like cut 300 and boost 20 by 10 deebs.
You're a genius. I want one..."
- Paula J Hanson (Max Q, Korn, Puff Daddy), Philadelphia
"I just love how the unit feels – it’s strong and feels well made. All of the controls
allow you to dial in accurately the sound you want to hear and I like the fact that it also puts an emphasis back using your ears for decision
making – without getting bogged down in the finer details.
I think the Prodigal does a great job with everything it is designed to do and integrates extremely easily with a typical interface.
The sound I cannot really describe - except to say that I felt it gave me an instant vibe. It has a life to it, a kind of randomness or non-linear
quality which I like, as it is organic and very musical sounding. I especially noticed
a marked difference in how it made the low end feel. I’ve used many plugins, but I think I would struggle to recreate what the Prodigal does to a sound
in the digital realm. The bass has a solidity and weight too it, but also a tightness that I’ve simply not been able to
achieve with plugins alone.
Conclusion: What Digital & Analog do individually, they do very well and the logical step to take is to incorporate the advantages of each into
your workflow. In the ever increasing home studio market, I think the Szikla Prodigal is the first of its kind to package something of great
quality and functionality that really pushes the boundaries and that can take home recordings & mixes to a whole new level of professionalism and sophistication."
- Dan Booth, Soundbooth Tutorials
-Product Review Video
and has everything you need. Just press record and shut the f*** up..!"
- Michael Letho (Paul Kelly, Slava Grigoryan, Rockwiz), Melbourne